“Ana’s commitment, imagination & determination to deliver are all exemplary. She brings warmth and energy that infuses & radiates through a company. Ana understands how to support impactful performances that lead to some of the show’s most memorable moments.”
“Ana has a strong work ethic that has enriched the creative process. A real willingness to contribute ideas, while also listening carefully and responding sensitively to the needs of the production. Her attention to detail and ability to consider the physical life of the play as a whole have been invaluable...”
“Ana is a true pleasure to work with. She brings a broad range of skills to the company and can push performers to their absolute best. She approaches her work in a truly collaborative and creative way. ”
“Ana’s ability to adapt to the individual needs of the students and recognise the strengths and limitations of each cohort was deeply connected with her ability to analyse movement- use of space, dynamic and physical imagination . ”
“Ana brings a wealth of knowledge to intimacy thanks to her experience as and actor and movement director. She worked collaboratively in the room, ensuring the rehearsal environment was safe and supportive . ”
THEATRE:
Intimacy and Movement Director, Chemistry, Directed by Amalia Kontesi, Brighton Fringe festival
Movement Director, Jane Eyre, Directed by Jasmin Hylton, The Birmingham Rep
Assistant Movement Director, Dracula adapted by Morgan Lloyd Malcom, Directed by Emma Baggott, Movement Director Chi-San Howard, A Lyric Hammersmith Production
Movement Director, LAMDA Directors’ Showcase: The Gap in the Family Photo by Esther Fernandez Guerra
Movement Director, Home & Horizon’s Festival: Jekyll & Hyde directed by Jasmin Hylton, Birmingham Rep
Movement Director, Kindness (Verbatim Theatre), Voices of the Holocaust
Movement Director & Choreographer A World Divided (ATG Theatres) Skyboat Productions
Movement Director, Paper Dolls (Devised Camden Fringe)
Movement Director, Fragile Fire, Voices of the Holocaust Theatre
Choreographer, Meaning, Voices of the Holocaust Theatre
Movement Director, Macbeth (Theatre), Open University
FILM:
Movement Coach, Magpie: NFTS (National Film and TV School)
Movement Coach, Erase: The Film, Royal Central MA film
Director, Souffler Video Pitch , NKM Media
Director, Product Placement (Short Film), Lobos Productions
Director, Five Pound Note (Short Film) Lobos Productions
WORKSHOP FACILITATOR:
2025 - Movement Workshops for Springboards, Lyric Hammersmith - a trainee program aimed to inspire and champion for the next generation of performers from underrepresented backgrounds.
2018 - ongoing Play in a Week Workshops for DGM Artists
Training
MA in Movement Directing and Teaching : Royal Central School of Speech & Drama due to graduate 2026
BA in Acting: East 15 Acting School
Level 3 Pilates
Level 3 Ante & Post Natal Fitness
Workshops
Trinity Laban: Laban Guild International 80th Anniversary Event, The Art of Movement
Royal Central School of Speech and Drama: Historical Social Dance: Ian Brener: 2025
Trinity Laban: How Movement Works: Olga Masleinnikova, 2023
Gecko Theatre Residency: Vanessa Guevara, 2023
Film Workshops & Seminars, Women in Film &Television, 2016-18
Directing & Producing Workshops, Raindance, 2015-17
Gecko Physical Expression Workshop: Amit Lahav, 2013
Film Acting Course, Mel Churcher, 2013
Physical Theatre Masterclass, Kate Saxon (Shared Experience) 2013
Voice & Movement Workshop: Michael Corbidge (RSC) 2012
Voice & Text Workshop Cicely Berry/Victoria Williams (RSC), 2012
I have always had a fascination by human movement and the body’s ability to express emotion beyond words. I enjoy working closely with the director and actors, collaborating with the team to realise the physical life of the piece.
My practice focuses on using movement as a creative tool to unlock new layers of meaning, exploring how physical expression can enrich and elevate the story. I am drawn to the physicality of performance and the powerful intersection where body meets imagination. I am particularly interested in how movement can enhance narrative and deepen emotional resonance. 